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There are 510 Book Titles in our Database
Latest Listings
Category: Reference Greybird |
Writing Short Stories: A Guide to Mastering the Craft |
Last Update: 2012/5/2 22:27 |
Description:
Author: Suseela P. Ravi Pages: 116 Year of Publication: 2009 Price: HB Rs 250, FB Rs 200 ISBN: HB 978-81-8157-921-8 (9788181579218) FB 978-81-8157-922-5 (9788181579225)
About the Author: Suseela Panda Ravi is a physician who practised in the United States for thirty years and returned to India in 2004. She attended creative writing workshops at Stanford University for two years. Her fiction has appeared in e-journals like Muse India and in magazines such as Katha Kshetre and India Currents. She received the first prize in fiction contests organized by Katha Kshetre in 2006 and Muse India in 2008. Dr. Ravi lives in Bangalore. This is her first work of non-fiction.
Teaser: In her preface to the book, Dr. Ravi writes:
"Nothing in this book can substitute for years of hands-on writing under the tutelage of a gifted teacher. Short of availability of such an arrangement, this book humbly but eloquently fills the void for those writers who wish to start their creative journey as writers of fiction in English ...
The commonly held belief that writers are endowed with innate talent, and that it is not something that can be nurtured by reading books and taking courses in writing is not quite accurate. Very few writers belong to that 'gifted-writer' category; even they have to hone their skills to excel in their chosen field. Others will need greater effort to acquire the finesse that they know they lack. Some writers grow up surrounded by the right influences: growing up in a family of writers, having guidance from teachers, having easy accessibility to writing tools etc. If you come from a home where everybody speaks English, and you have read major writers like Shakespeare, Dickens, and Tolstoy, you have already had the opportunity to develop a sensibility for good literature. If you have not, don't despair. Perseverance in learning and practising pays good dividends."
Contents: Preface / 09
CHAPTER 1 A Bit of History / 13 CHAPTER 2 The Basics / 16 CHAPTER 3 Characters in Motion / 21 CHAPTER 4 Plot / 27 CHAPTER 5 Point of View / 33 CHAPTER 6 Showing and Telling / 39 CHAPTER 7 The Role of Sensory Perception in Writing / 48 CHAPTER 8 Dialogue / 57 CHAPTER 9 "Style" – How to Say It / 61 CHAPTER 10 Revision / 76 CHAPTER 11 Going That Extra Step / 84
Bibliography / 91
APPENDIX: STORIES A Cup of Tea by Paritosh Uttam / 95 The Scars by Vasundhara Ratakonda / 100 Home by Shruti Swami / 107
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| Hits: 5 Rating: 0.00 (0 votes) |
Category: Reference Greybird Literary Criticism Of British, American and other Literatures |
Modes of Illusion in the Plays of Edward Albee |
Last Update: 2012/5/2 18:51 |
Description:
Author: Daphne Gomez Pages: 252 Year of Publication: 2011 Price: HB Rs 300, FB Rs 250 ISBN: HB 978-81-8157-925-6 (9788181579256) FB 978-81-8157-926-3 (9788181579263)
About the Author: Daphne Gomez was born on 25 November 1948 in Trivandrum, Kerala. She completed her post-graduation in English and American Literature from Madurai Kamaraj University. She taught the same at Mar Ivanios College, Trivandrum, for twenty-four years. At present, Dr. Gomez is the principal of Lecole Chempaka, an ICSE school founded by her family twenty-five years ago. She is married to Vernon Gomez and has a son and daughter.
Teaser: “The title, Modes of Illusion in the Plays of Edward Albee may suggest the repetition of a timeworn preoccupation with American writers after the passing of the age of “innocence” and the materialisation of the illusory world of Gatsby. Yet, illusion is America’s albatross, which can never be separated from the American psyche because America itself was born of a ‘Dream’ that has given shape to its destiny. To Edward Albee (b.1928), the ‘American Dream’ becomes a personal metaphor. Albee’s parentage is unknown and he was an adopted child, a fact that made him say: “As an orphan you don’t have forebears. You’re the first person who lived, in a way” (Markowitz Online). If the first part of the statement is a lament, the second manifests the typical Albeean optimism in which lies the potential to transform a loss into a gain. He finds his parentage in the history of his mother country and to which therefore his destiny is umbilically bound by a quirk of fate.
Albee’s entanglement with the ‘Dream’ is not only closely related to the destiny of the nation which gave birth to him, but by an historical inevitability to the wider patterns of illusion as manifest in the history of nations that lived lives of garish opulence in ancient times. They had to suffer the consequences of not redeeming themselves in spite of oracles, soothsayers and prophets warning them of impending doom, if they did not give up their fascination for illusions. Albee’s worshippers of Dionysius, instead of celebrating the joy of life are mired in the dregs of illusion, as they live their “sad, sad, sad” lives playing games in new Carthage (Who’s Afraid? 3.191), or pretending to be Romulus and Remus, the legendary founders of Rome, as Sam does in The Lady From Dubuque (1.14). George, a history professor in Who’s Afraid? reads from Oswald Spengler’s Decline of the West (2.174), as the midnight orgy in his house turns into a ‘Walpurgisnacht’, a Witches’ Sabbath.
Since history and philosophy are closely intertwined, in Albee’s plays there can be seen another historical thread — the repetition of the patterns of philosophical history. Albee establishes the connection between science and history right from the start. If George is a professor of history in Who’s Afraid? Nick is a scientist specialising in genetics. Philosophers from the time of Plato four millenniums ago, and Augustine, two thousand years ago, have shown the connection between science and religion, but as scientific rationalism took over, the divinity in man was forgotten and the basic bond between science and faith snapped. Nevertheless, science in the twentieth century is showing the way to a reconciliation of the two opposites in “unity consciousness” as foreseen by the ancient intuitive philosophers.”
[From Chapter 1]
Contents: Foreword / 9 Preface / 11 The Plays / 15 Chapter 1 – The Historical Patterns of Illusion / 17 Chapter 2 – The Death of the Dream: The Zoo Story (1960) to The American Dream (1961) / 37 Chapter 3 – The Corruption Total and Complete: Who’s Afraid of Virginia Woolf (1962) to All Over (1971) / 67 Chapter 4 – A Morality Tale: Seascape (1975) to The Lady from Dubuque (1980) / 115 Chapter 5 – Unity Consciousness: The Man Who Had Three Arms (1982) to Fragments (1993) / 139 Chapter 6 – Albee’s Idea of the Theatre / 168 Chapter 7 – Finding the Sun / 221 Appendix: Taste of Albee / 233 Works Cited / 240
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| Hits: 55 Rating: 9.00 (2 votes) |
Category: Poetry Saffronbird Transcreation Transcreated from Modern Indian Languages from Bengali |
The White Lotus |
Last Update: 2012/5/1 23:18 |
Description:
Author: Jaya Varma Pages: 416 Year of Publication: 2011 Price: HB Rs 500, FB Rs 400 ISBN: HB 978-93-5045-000-0 (9789350450000) FB 978-81-5045-001-7 (9788150450017)
About the Author: Jaya Varma (nee Bhattacharyya) was born in 1945 in Calcutta. She completed her graduation in Philosophy (Honours) from Calcutta University in 1965. She moved to Chandigarh in 1966 and lived there for the rest of her life except between 1987 and 1992, when she lived in Pune. She was trained in Rabindrasangeet and classical music and became the Director and Composer of the reputed Chandigarh Choir. Outside of music, she was the Associate Director for Biplab Roy Chowdhury’s award-winning Oriya film, Nirbachan. She has also written a novel (Made in Heaven) and two collections of short stories (Till Death Do Us Part and Children and Other Stories). A book containing her articles on spirituality, All for One God was published by Writers Workshop, India in 2009.
Mrs. Varma was diagnosed with pancreas cancer in August 2007 and she passed away in the early hours of May 27, 2008. This book, published posthumously, comprises her translations and interpretations of songs by Rabindranath Tagore, compiled by her husband, Keshav Varma.
Teaser: “The devotional songs of Tagore, though beautifully written in simple, poetic words, had in each of them deep messages, camouflaged, that spoke of profound Hindu doctrines of our ancient scriptures – which very few recognized, let alone spoke, discussed or wrote about.
What I did was that I took off from each of these songs, and after touching the simple word-meaning on the surface, flew on the wings of my imagination and poetic urge ... to a zone far above, deep into the serious practices for evolving spiritually and finally realizing God – precisely what I think Tagore meant to convey, which is valid for everybody, be he a Hindu, a Christian, Buddhist or a Muslim. This effort is not meant to be a work of ‘Translation’, but ‘Interpretation’, mine, to convey what I think Tagore meant to say.”
[Extract taken from the author’s note]
Contents: 73 songs by Tagore, Mrs. Varma’s translations and interpretations
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| Hits: 3 Rating: 0.00 (0 votes) |
Category: Fiction Greenbird Stories |
Rumination and other Stories |
Last Update: 2012/4/27 1:44 |
Description:
Author: Madhusree Gupta Pages: 90 Year of Publication: 2009 Price: HB Rs 200, FB Rs 150 ISBN: HB 978-81-8157-905-8 (9788181579058) FB 978-81-8157-906-5 (9788181579065)
About the Author: Madhusree Gupta grew up amidst the splendours and shocks of Calcutta – a city of diversity, providing her uniquely different perspectives, which have helped her in her literary career. After completing both her Bachelor's and Master's degrees in English from Jadavpur University, she pursued a career in academics and is currently an honorary lecturer, associated with a Ramakrishna Mission College. Her stories and poems, in Bengali and English, have been published in several Indian magazines. She is the author of the novel, Sita, published by Writers Workshop, India (2008), and the popular Learn English in 30 Days (2007).
Teaser: “Sucharita was walking alone in the garden. From time to time she was eyeing the sky. It was past four o’clock and it was already time for the neighbourhood children to swarm into her garden. Sucharita was sure that the children wouldn’t be coming that day to play for the sky was heavily overcast. Sucharita tilted her head skyward and saw large black clouds gently, very gently swimming across the limitless sky painting it in black and grey.
It’s so hard to recognize right now the blue sky, which existed only an hour ago – thought Sucharita. Yes, indeed, storms are powerful and they change the face of the sky so easily with their clouds and thunders. Life’s storms are just the same. Within seconds they can blow away all the sunshine from human lives, blotting away all colours. Sucharita kept on philosophizing with her eyes fixed on the sky.
“A-un-ty” – a soft voice was heard. It jerked Sucharita’s mind back to reality. She smiled as she saw Abhimanyu standing at a little distance. She was so pleased to see him.”
[Extract taken from “When Hymen Weeps”]
Contents: Alone / 9 The Dream-Weaver / 16 Rosy Memsaab / 22 In Search of Inheritance / 27 Noorjahan / 34 When Hymen Weeps / 40 The Nightqueen / 44 Mirror Image / 48 A Trip to Hell and Back / 55 Come Back Doel / 58 The Silver Round / 64 Rumination / 73
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