P. Lal founds WW with the help of a “magical circle” of writer friends including Anita Desai The house that P. Lal built in Lake Gardens begins to host regular Sunday morning readings and meetings First issue of the house journal, The Miscellany, containing Desai’s story “Grandmother” Nissim Ezekiel’s The Unfinished Man published (not his first book, which had come out elsewhere) WW enters literary criticism with the pamphlet titled Indian Writing in English: A Symposium Adil Jussawalla’s debut, Land’s End A. K. Ramanujan’s Fifteen Poems from a Classical Tamil Anthology and Lal’s The Bhagavad-Gita see WW embarking on English translations of Indian literature, one of its key domains eventually. The Descendants (Kamala Das), Of Gods and Olives (Pritish Nandy), Poems (Suniti Namjoshi) Debuts of Gauri Deshpande (Between Births) and G. S. Sharat Chandra (Bharata Natyam Dancer) The 600-page Modern Indian Poetry in English: An Anthology and a Credo published as an answer to Buddhadeva Bose’s anti-English campaign. P. Lal becomes de-facto sole proprietor of WW, takes up Visiting Professor positions overseas to fund WW and makes the design innovation of handloom sari-bound volumes, later adding gold-embossed titles in his calligraphy. Swayamvara (Jayanta Mahapatra) and The Lotus Leaves (Jai Nimbkar’s first book of short stories) Debut: Bone-Sculpture (Agha Shahid Ali) and It Isn’t Time That’s Passing (Ruskin Bond’s first volume of poetry). Debut: Impressions (Lakshmi Kannan) First WW book by an Asian author from outside India (Bangladesh): Shamsur Rahman’s Selected Poems translated by Kabir Chowdhury. WW releases its first audio recording, of P. Lal reading his transcreation of the Bhagavad-Gita on a long-playing double album (HMV Calcutta), followed by a series of over 50 cassettes of WW poets in their own voices. Debut: Shashi Deshpande’s collection of short stories, The Legacy First WW book by an author from Africa (Gambia): Tijan Sallah’s When Africa Was a Young Woman. Debut of Vikram Seth, Mappings BBC-TV records a WW session in Lake Gardens for its acclaimed documentary titled The Story of English. First WW book by an author from South America (Guyana): Cyril Dabydeen’s novel, The Wizard Swami. Debut of Chitra Banerjee Divakaruni, Dark Like the River P. Lal inducted into the inaugural list of the Indian Publishing Hall of Fame, for “furthering the cause of Indian poetry in English”. Debuts of poets from northeastern states of India (Nagaland and Manipur respectively): Songs That Tell (Temsula Ao) and Words and the Silence (Robin Ngangom). Translation of Shivaji Sawant’s Marathi classic Mrityunjaya by P. Lal and Nandini Nopany. Near-death experience on a lecture tour of the USA forces P. Lal to stop his travels. Debut: Stone to Fruit (Hoshang Merchant) Debut: Twenty-four Poems (Indrajit Hazra) A Woman Speaks (Poile Sengupta’s first book of poetry) Debut: The Sieve and Moments (K. S. Nongkynrih) Debut: City Times (Vihang Naik) Debut: Snapshots (Sanjukta Dasgupta) Debut: The Woman in This Poem Isn’t Lonely (Mukta Sambrani) The first full English translation of Tagore’s complete original Bengali Gitanjali, by Joe Winter. P. Lal begins to read his ongoing transcreation of the Mahabharata and comment on the epic every Sunday morning at interactive sessions later released on over 100 WW cassettes. (1999-2009) With Best Wishes from Edinburgh (Bashabi Fraser) River Poems (Mamang Dai’s first book of poetry) Revision and consolidation of P. Lal’s transcreation of the Mahabharata into 18 volumes corresponding to the original 18 Parvas, leaving one and a half Parvas unfinished as his health declines in 2009. (2005-2009) To mark 50 years of WW, The Golden Treasury of Writers Workshop Poetry edited by Rubana Huq. Tara TV releases a 10-DVD set of P. Lal reading his transcreation of the Mahabharata’s Adi Parva. P. Lal passes on and Ananda Lal continues WW, discovering, editing, and publishing over 200 first-time authors up till the present. Pradip Bhattacharya’s translation of Mahabharata’s Santi Parva Part II. Pradip Bhattacharya’s translation of Anushasana Parva completes the Mahabharata. P. Lal founds WW with the help of a “magical circle” of writer friends including Anita Desai The house that P. Lal built in Lake Gardens begins to host regular Sunday morning readings and meetings First issue of the house journal, The Miscellany, containing Desai’s story “Grandmother” Nissim Ezekiel’s The Unfinished Man published (not his first book, which had come out elsewhere) WW enters literary criticism with the pamphlet titled Indian Writing in English: A Symposium Adil Jussawalla’s debut, Land’s End A. K. Ramanujan’s Fifteen Poems from a Classical Tamil Anthology and Lal’s The Bhagavad-Gita see WW embarking on English translations of Indian literature, one of its key domains eventually. The Descendants (Kamala Das), Of Gods and Olives (Pritish Nandy), Poems (Suniti Namjoshi) Debuts of Gauri Deshpande (Between Births) and G. S. Sharat Chandra (Bharata Natyam Dancer) The 600-page Modern Indian Poetry in English: An Anthology and a Credo published as an answer to Buddhadeva Bose’s anti-English campaign. P. Lal becomes de-facto sole proprietor of WW, takes up Visiting Professor positions overseas to fund WW and makes the design innovation of handloom sari-bound volumes, later adding gold-embossed titles in his calligraphy. Swayamvara (Jayanta Mahapatra) and The Lotus Leaves (Jai Nimbkar’s first book of short stories) Debut: Bone-Sculpture (Agha Shahid Ali) and It Isn’t Time That’s Passing (Ruskin Bond’s first volume of poetry). Debut: Impressions (Lakshmi Kannan) First WW book by an Asian author from outside India (Bangladesh): Shamsur Rahman’s Selected Poems translated by Kabir Chowdhury. WW releases its first audio recording, of P. Lal reading his transcreation of the Bhagavad-Gita on a long-playing double album (HMV Calcutta), followed by a series of over 50 cassettes of WW poets in their own voices. Debut: Shashi Deshpande’s collection of short stories, The Legacy First WW book by an author from Africa (Gambia): Tijan Sallah’s When Africa Was a Young Woman. Debut of Vikram Seth, Mappings BBC-TV records a WW session in Lake Gardens for its acclaimed documentary titled The Story of English. First WW book by an author from South America (Guyana): Cyril Dabydeen’s novel, The Wizard Swami. Debut of Chitra Banerjee Divakaruni, Dark Like the River P. Lal inducted into the inaugural list of the Indian Publishing Hall of Fame, for “furthering the cause of Indian poetry in English”. Debuts of poets from northeastern states of India (Nagaland and Manipur respectively): Songs That Tell (Temsula Ao) and Words and the Silence (Robin Ngangom). Translation of Shivaji Sawant’s Marathi classic Mrityunjaya by P. Lal and Nandini Nopany. Near-death experience on a lecture tour of the USA forces P. Lal to stop his travels. Debut: Stone to Fruit (Hoshang Merchant) Debut: Twenty-four Poems (Indrajit Hazra) A Woman Speaks (Poile Sengupta’s first book of poetry) Debut: The Sieve and Moments (K. S. Nongkynrih) Debut: City Times (Vihang Naik) Debut: Snapshots (Sanjukta Dasgupta) Debut: The Woman in This Poem Isn’t Lonely (Mukta Sambrani) The first full English translation of Tagore’s complete original Bengali Gitanjali, by Joe Winter. P. Lal begins to read his ongoing transcreation of the Mahabharata and comment on the epic every Sunday morning at interactive sessions later released on over 100 WW cassettes. (1999-2009) With Best Wishes from Edinburgh (Bashabi Fraser) River Poems (Mamang Dai’s first book of poetry) Revision and consolidation of P. Lal’s transcreation of the Mahabharata into 18 volumes corresponding to the original 18 Parvas, leaving one and a half Parvas unfinished as his health declines in 2009. (2005-2009) To mark 50 years of WW, The Golden Treasury of Writers Workshop Poetry edited by Rubana Huq. Tara TV releases a 10-DVD set of P. Lal reading his transcreation of the Mahabharata’s Adi Parva. P. Lal passes on and Ananda Lal continues WW, discovering, editing, and publishing over 200 first-time authors up till the present. Pradip Bhattacharya’s translation of Mahabharata’s Santi Parva Part II. Pradip Bhattacharya’s translation of Anushasana Parva completes the Mahabharata.
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